The Dallas Symphony Orchestra has picked Anthony Blake Clark as the next director of the Dallas Symphony Chorus, starting in the 2023-24 concert season. He was one of several candidates auditioned to succeed Joshua Habermann, who stepped down in 2022 after 11 seasons.
A native of Dumas, Texas, north of Amarillo, Clark holds a bachelor’s degree in composition from Baylor University and a master’s in choral conducting from the University of Birmingham in England. He is pursuing a doctorate in orchestral conducting with Marin Alsop at the Peabody Institute in Baltimore.
He is currently director of choruses for the Richmond (Va.) Symphony, music director of the Baltimore Choral Arts Society and artistic director of Bach Vespers at Holy Trinity Lutheran Church in New York.
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He has prepared choruses for orchestras including the Berlin Philharmonic, Vienna Radio Orchestra, City of Birmingham and Baltimore symphony orchestras.
The Dallas Symphony Orchestra is presenting the first two of Richard Wagner's Ring operas — Das Rheingold and Die Walküre — in semi-staged performances at the Meyerson Symphony Center. The remaining two operas, Siegfried and Götterdämmerung, will be presented in October, along with the entire four-opera cycle in sequence.
With a lot of young people in attendance, the audience for Thursday night’s Dallas Symphony Orchestra concert was certainly enthusiastic. But guest conductor Simone Young’s big and rather generalized gestures didn’t get the most disciplined playing from the orchestra.
Enrico Lopez-Yanez must make music. Principal conductor of Dallas Symphony Presents, a recent creation that operates alongside the orchestra’s pops series, he grew up traveling from one opera house to another with his father, tenor Jorge Lopez-Yanez. His mother, Ruth Weber, is a singer, songwriter, teacher and choir director living in San Diego.
Bradley Hunter Welch, the Dallas Symphony's resident organist, played the Meyerson Symphony Center’s C.B. Fisk organ in an April 7, 2024, recital.
Scott Cantrell, Special Contributor. Former staff classical music critic Scott Cantrell continues contributing as a freelance writer on classical music and art. His classical music reporting is supported by the Rubin Institute for Music Criticism, the San Francisco Conservatory of Music, and the Ann and Gordon Getty Foundation. The News makes all editorial decisions.